{"id":61,"date":"2025-07-09T09:52:13","date_gmt":"2025-07-09T07:52:13","guid":{"rendered":"https:\/\/notemus.app\/blog\/?p=61"},"modified":"2025-07-11T20:32:15","modified_gmt":"2025-07-11T18:32:15","slug":"holy-tens-musoro-wenzou-a-powerful-comeback","status":"publish","type":"post","link":"https:\/\/notemus.app\/blog\/2025\/07\/09\/holy-tens-musoro-wenzou-a-powerful-comeback\/","title":{"rendered":"Holy Ten\u2019s &#8220;Musoro WeNzou&#8221;: A Powerful Comeback"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">After a quiet spell and a rocky release, Holy Ten is back with Musoro WeNzou\u2014and it just might be his most compelling project to date. Dropped on June 25, 2025, the 10-track album finds the rapper in peak lyrical form, merging deep personal reflection with rich Zimbabwean sonic textures.<br><br>From the chilling intro Ndikanamata (featuring Feli Nandi) to the soul-searching closer Ganza (with Oriyano), the album traces a journey of maturity and transformation. On tracks like Mwana Wenyu (with Saintfloew) and Hapana Space, Holy Ten exposes emotional layers rarely seen before. Meanwhile, songs like Bhundu Prefects and Mapapiro (with ScripMula) confirm his trademark edge and sharp social insight are still very much intact.<br><br>And speaking of Mapapiro\u2014what a standout. The chemistry between Holy Ten and Scrip Mula is undeniable. Between this track, Bhuruka (Scrip Mula ft. Holy Ten &amp; Runna Rulez), and Vakomana (Scrip Mula ft. Holy Ten), it&#8217;s clear these two bring out the best in each other. The way the hook and verses flow on Mapapiro shows how well their styles complement one another. Honestly, a short joint project between Holy Ten and Scrip Mula\u2014just a few tracks\u2014could be a serious game-changer for Zim hip-hop. The momentum is already there; now all that\u2019s left is to make it official.<br><br>Tracklist:<br><br>\u20071.\u2060 \u2060Ndikanamata (feat. Feli Nandi)<br><br><br>\u20072.\u2060 \u2060Bhundu Prefects<br><br><br>\u20073.\u2060 \u2060Personal (feat. Nyasha David)<br><br><br>\u20074.\u2060 \u2060Mugomo (feat. Jake Miles)<br><br><br>\u20075.\u2060 \u2060Pengai Mudzoke<br><br><br>\u20076.\u2060 \u2060Mwana Wenyu (feat. Saintfloew)<br><br><br>\u20077.\u2060 \u2060Hapana Space<br><br><br>\u20078.\u2060 \u2060Mapapiro (feat. ScripMula)<br><br><br>\u20079.\u2060 \u2060Dzimwe Hembe<br><br><br>10.\u2060 \u2060Ganza (feat. Oriyano)<br><br><br><br>And yet, despite its quality and impact, Musoro WeNzou sits at just 4.9\/10 on Notemus.app\u2014a bafflingly low score for an album that topped charts and resonated deeply with fans. Maybe it challenges listeners more than they expected. Maybe it didn\u2019t cater to popular taste. But make no mistake: this is more than a comeback. It\u2019s a statement of intent\u2014Holy Ten is evolving, and he\u2019s not holding back.<br><br>Give it the time it deserves. Listen fully, think critically, and rate it yourself at https:\/\/notemus.app\/\/detail.php?id=200<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/notemus.app\/blog\/wp-content\/uploads\/2025\/07\/musoro.jpg\" alt=\"\" class=\"wp-image-64\" srcset=\"https:\/\/notemus.app\/blog\/wp-content\/uploads\/2025\/07\/musoro.jpg 1000w, https:\/\/notemus.app\/blog\/wp-content\/uploads\/2025\/07\/musoro-300x300.jpg 300w, https:\/\/notemus.app\/blog\/wp-content\/uploads\/2025\/07\/musoro-150x150.jpg 150w, https:\/\/notemus.app\/blog\/wp-content\/uploads\/2025\/07\/musoro-768x768.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>After a quiet spell and a rocky release, Holy Ten is back with Musoro WeNzou\u2014and it just might be his most compelling project to date. Dropped on June 25, 2025, the 10-track album finds the rapper in peak lyrical form, merging deep personal reflection with rich Zimbabwean sonic textures. From the chilling intro Ndikanamata (featuring [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":64,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-61","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-albums"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/posts\/61","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":2,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/posts\/61\/revisions"}],"predecessor-version":[{"id":65,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/posts\/61\/revisions\/65"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/media\/64"}],"wp:attachment":[{"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/media?parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/categories?post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/notemus.app\/blog\/wp-json\/wp\/v2\/tags?post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}